Daylighting: But it's the water that talks (Daylighting : mais c'est l'eau qui parle)

Exposure from Euridice Zaituna Kala to La Criée centre d'art contemporain proposes a reflection on the modern city, how developments Infrastructural and architectural projects have been largely buried, driven away and often completely destroyed the natural and human ecosystems preceding it. She questions in particular glass architectures, heterotopies* and the worldviews they reflect. She is also interested in current projects and, through them, the place left to minorities.

In the following a residence in New York and his personal exhibition at the gallery Anne Barrault, the exhibition at La Criée will take as a support point New York, the ultra-city, the dream city par excellence. It will also feed on a exploration of Rennes, the history of its settlement, its urbanization and ties (de)woven with nature, especially with its river.

From of documents, conversations and walk-throughs New York and Rennes, Euridice Zaituna Kala will compose a story that features an exploration of the archive in urban space. Through sculptures of glass mixing images and reflections, it shapes a representation of this space inspired by the historical and current mapping of New York Rennes, and thus proposes new geographies which take account of the architectural changes in relation to a sensitive ecosystem.

Using cinema techniques such as the American night**, she also develops a series of images that talk about an imagined map, the revelation of water and the iconography of the future. These images question contemporary traces of the presence of indigenous peoples, as much as they make contemporary minorities visible.